Tag Archives: Karen Sinsheimer

Photography@DIA – Future Programs & Exhibitions in 2009

Many thanks to Michelle Stamler for posting recently on her involvement with Roeper High School photo students and the DIA. I am looking forward to their visit later this month at the DIA to view Of Life and Loss and talk about their work inspired by this exhibition. I did not expect such an overwhelming response to this exhibition. There is a constant stream of visitors in our galleries everyday.  And it seems that this very powerful group of photographs speak to a very diverse group of visitors on so many different levels with great emotional impact and resonance. I was fortunate to have exhibition curator Karen Sinsheimer deliver the most-illuminating lecture on Of Life and Loss this past Sunday to over 100 people in the DIA’s lecture hall.

Penny Picture Display, Savannah, 1936, by Walker Evans

Penny Picture Display, Savannah, 1936, by Walker Evans

The DIA is moving forward with our other photo exhibitions and programs for the year. This past week I have been busy working with interpretive educator Madeleine Winslow on an upcoming exhibition Photography-The First 100 Years. Although the exhibition does not open until September 2, 2009, plans for installation and development of interpretative materials for the gallery take place months and sometimes years in advance. Madeleine and I hope to get some feedback from our visitors in the gallery with a reader response table focused on the work of Walker Evans one of the featured artists in the exhibition. We plan to set up some online opportunities to hear your thoughts as well.

Avedon Fashion preThe exhibition Avedon Fashion Photographs 1944-2000 will also open at the DIA on October 18. 2009. I was fortunate to get an advance copy on the catalogue with essays by exhibition curators Carol Squiers and Vince Aletti. The authors have given their undivided and thorough attention to this very productive and influential period of the photographer’s career in fashion editorial work that appeared in Harper’s Bazaar, Vogue  and in later years for the Versace campaign beginning in 1980 and eventually as staff photographer for The New Yorker. The exhibition opened last week at the International Center for Photography, New York, and a sneak peak of some of Avedon’s fashion work can be found at the New Yorker Online – Here at the DIA, the exhibition will get four-star treatment in our special exhibition space with an elegant installation and some exciting programs and events to soon be announced.

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May 17th DIA Lecture – The Polish Photographs of Roman Vishniac and Jeffrey Gusky

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Karen Sinsheimer, curator of photographs, Santa Barbara Museum of Art

Next Sunday, May 17, 2009@2PM, Karen Sinsheimer will be discussing work in the exhibition Of Life and Loss: The Polish Photographs of Roman Vishniac and Jeffrey Gusky. It will be Karen’s first visit to the Detroit area from California where she works as curator of photographs at the Santa Barbara Museum of Art. Karen spent two years developing the exhibition, working directly with Jeffrey Gusky, Mara Vishniac Kohn (Roman Vishniac’s daughter), and Maya Benton, director of the Vishniac archive at the International Center for Photography, New York. The lecture is open to the public and free with museum admission.

Year in Review – Photography@the DIA 2008

In closing out my fourteenth year here at the DIA, I was most excited in 2008 to see the renovation and reopening of the Albert and Peggy de Salle Gallery of Photography on July 9, 2008. The DIA was fortunate to have for the gallery’s inaugural exhibition Kenro Izu’s Sacred Places. Organized by the Peabody Essex Museum from The Lane Collection in Boston, over 50 platinum prints were on view featuring mostly ancient sites in Asia, the Middle East, and Europe.

Visitors viewing photographs by Kenro Izu in the exhibition Sacred Places at the Detroit Institute of Arts, 2008, photograph by Eric Wheeler for the DIA

Visitors viewing photographs by Kenro Izu in the exhibition Sacred Places at the Detroit Institute of Arts, 2008, photograph by Eric Wheeler for the DIA

Students viewing photographs of Tibet by Kenro Izu in the exhibition Sacred Places, 2008, photograph by Eric Wheeler for the DIA

Students viewing photographs of Tibet by Kenro Izu in the exhibition Sacred Places, 2008, photograph by Eric Wheeler for the DIA

The gallery saw a good amount of traffic over our summer months and into the fall, but  two highlights of this exhibition were  Kenro’s lecture to a standing-room only audience in early September as well as our first-ever online photo competition (see detroitssacredplaces.wordpress.com and flickr.com/groups/detroitssacredplaces/pool for details) that saw over eighty entries by primarily Detroit-area photographers featuring their imagery of Detroit’s “sacred places.”

The DIA showed its first permanent collection photo exhibition in seven years when In the Company of Artists opened on November 19 (it will be on view through February 15, 2009).  As with most permanent collection exhibitions, new acquistions are on view for the first time in this exhibition. The department of prints, drawings and photographs received several gifts from some very generous donors in the Detroit area. Of particular note is a 19th-century albumen print showing painter James MacNeill Whistler in his Paris studio around 1892. The photograph was donated by Detroit-area collectors Leonard and Jean Walle who also loaned a number of works to the exhibition from their collection of rare 19th-century photographic portraits.

Whistler in His Paris Studio at 106 Rue Notre Dame des Champs, 1892, by Dornac Studios (Paul Cardon)

Whistler in His Paris Studio at 106 Rue Notre Dame des Champs, 1892, by Dornac Studios (Paul Cardon)

In addition to works on view in the photo gallery throughout the second half of 2008, the DIA also installs rotations of contemporary photography in the Asian galleries as well as the contemporary art galleries and contemporary African American art galleries.  Works by Toshio Shibata (on loan from the Museum of Modern Art, NYC), Abelardo Morell and Edward West currently are on view and new rotations occur about every three months.

The DIA hosted a number of photo-related programs including lectures by photographer and historian Deb Willis, Getty Museum associate curator Virginia Hecket on the schools of German Photography, and a film screening of Black, White and Gray and discussion panel celebrating the life and career of Sam Wagstaff (see metrotimes.com/editorial/story.asp?id=12875 for Glen Mannisto’s essay about the event).

The DIA is looking forward to 2009 upcoming exhibitions including Of Life and Loss: The Polish Photographs of Roman Vishniac and Jeffrey Gusky opening in late April and a related May 17 lecture with Karen Sinsheimer, exhibition organizer and curator of photographs at the Santa Barbara Museum of Art. A January 22 lecture with artist Ari Marcopoulos is also scheduled at 7 p.m. in the DIA’s Lecture Hall.