Detroit's Cary Loren will weigh in on photography this Friday at the DIA. (c) Cary Loren, 2011
What does it mean for a photograph to be authentic? How does the so-called manipulation of photographs influence our perception and understanding of medium? What is the value of learning to “read” photographic images? A panel of Detroit-area photographers, arts professionals and educators will meet to discuss these issues during the program Perspectives on Photography: Authenticity, Invention and Image which takes place this Friday, May 20, 7 p.m. at the Detroit Institute of Arts, Lecture Hall.
Please join DIA Associate Curator Nancy Barr and moderator Leonard Walle, collector and president of the Forum for Prints, Drawings, and Photographs who will engage panelists in dialogue. Participants include Kyohei Abe, artist and director of the Detroit Center for Contemporary Photography; Michelle Andonian, editorial and documentary photographer; Sara Blair, University of Michigan professor and author; Cary Loren, author, artist, and musician; and Corine Vermeulen, photographer and 2009 Kresge Fellow. A Q&A will follow the panel discussion.
This event is free with museum admission. This program is sponsored by the Forum for Prints, Drawings, and Photographs.
Questions for our panel? Please post them below.
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Tagged Cary Loren, Corine Vermeulen, Detroit Center for Contemporary Photography, Detroit Institute of Arts, drawings and photographs, Forum for Prints, Kyohei Abe, Leonard Walle, Michelle Andonian, Nancy Barr, Photography, Sara Blair
Oakland Community College students on a visit to the DIA's works on paper study room (c) Rob Kangas 2011
The DIA’s department of prints, drawings and photographs has seen a good amount of activity these past few months with visits from art and art history students who attend Detroit-area colleges and universities. Oakland Community College instructor Rob Kangas recently brought his class to the museum’s works on paper study room to view photographs from the DIA’s collection. Rob has been working with the museum’s photo collection for nearly twenty years to teach his students about the history of photography and give them a rare opportunity to study a variety of photographic media first hand. They can see everything from 19th-century daguerreotypes to traditional black-and-white photographs and more recent digitally output prints. The photograph on the table seen above is by New York street photographer Weegee, but contemporary work was also on view and several students took the time to study an oversize photograph by Andrew Moore as seen below.
Students study an oversize photo in the DIA's works on paper study room (c) Rob Kangas
The experience is always memorable for his students – and for some it is the first time they actually step foot into the DIA!