Monthly Archives: April 2010

Save the dates for spring photography programs at the DIA and around town

Drive-in movie—Detroit, 1955, © Robert Frank, from The Americans

SAVE THE DATES! – The DIA will present upcoming programs in conjunction with Detroit Experiences: Robert Frank Photographs, 1955.

Friday, June 4, 2010, 7:30 p.m. in DIA’s Lecture Hall, author Philip Gefter will present a lecture – Robert Frank and the Beat Generation.

Philip Gefter believes that Robert Frank split the century in half in terms of his legendary and groundbreaking photographic work of the 1950s. His influence was felt by all who followed him. Join him as he discusses the work of Frank and his relationship to Beat poets Allen Ginsberg and Jack Kerouac among others. Gefter will also be on hand after the lecture to sign copies of Photography After Frank, a book of essays recently published by Aperture.

Gefter was on staff at The New York Times for over fifteen years, both as the Page One Picture Editor and Senior Picture Editor for Culture, and wrote regularly about photography for the paper. He produced the forthcoming documentary, Bill Cunningham New York about the New York Times fashion photographer. Currently he writes about photography for The Daily Beast, and he is at work on a biography of Sam Wagstaff for W.W. Norton.

This program is free with museum admission and sponsored by the Forum for Prints, Drawings and Photographs. For more info about the auxiliary, follow us on facebook at  www.facebook.com/DIAFPDP or check in on our activities at the DIA’s new website.

Saturday, June 12, 2010, 4:00 p.m., DIA’s Detroit Film Theater will present An American Journey by French director Phillipe Séclier. I highly recommend this film having seen it last fall at the Film Forum in New York – a documentary with often breathtaking cinematography, it is illuminating, humorous and takes a different look at Robert Frank and the making of his book The Americans. Made in 2009, An American Journey travels back to the cities, towns and rural communities that Frank immortalized in The Americans. He even traveled to Detroit’s most famous public park Belle Isle to find the place where Frank took photographs.

Speaking with many individuals who knew and know Frank, the director included commentary by artist Edward Ruscha, publisher Barney Rosset, photographers John Cohen and Raymond Depardon, and curators/critics Vicki Goldberg, Sarah Greenough and Peter Galassi who discuss the inspiration and complex artistic methodology that fueled the Swiss-born Robert Frank in his American journey. The film is free with museum admission. For more information about this film and the DFT film schedule – it’s all at www.dia.org/detroitfilmtheatre.

Of note as well is photographer Andrew Moore’s lecture this Friday, April 30 at 7 p.m at Oakland Community College. Moore just released a new book of his work entitled Detroit Disassembled and will appear at the OCC for a lecture and book signing sponsored by Book Beat.

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